Mississippi Civil Rights Museum

First state-funded civil rights museum, chronicling the freedom struggle in the state that was ground zero of the civil rights movement

Last Review Date Oct 2025
Mississippi Civil Rights Museum photo
Historical Accuracy A

The Mississippi Civil Rights Museum earns an A grade due to its thorough, straightforward, and inspiring presentation of the “centuries-long struggle for black Mississippians to become full citizens” (Jackson Civil Rights Guide, 2025). The heart of the museum is a rotunda centered around the elevated This Little Light of Mine sculpture, where visitors can rest and enjoy recordings of This Little Light of Mine and other freedom songs sung by children, students, and adults in Jackson, MS. The story of civil rights in Mississippi reveals some of the darkest parts of human nature, as can be seen by long lists of the names of people who were lynched in Mississippi, but the museum is careful not to let the darkness overshadow the light. Courageous men and women who fought for the freedom and rights of black Mississippians are honored throughout the museum by prominent “Point of Light” signs. The last exhibit in the museum closes with the quote by Oseola McCarty, If you want to be proud of yourself, you have got to do things you can be proud of.

Photo Credit: Luckiewiki/ CC SA 4.0 Wikimedia Commons

Site Details

Pin location is approximate.

245 East Capitol Street
Jackson, MS 39201

Visit Site Website

Family Friendly?

Somewhat

Visitors Per Year

100,000

The museum is not large and visitors should allow about 1–2 hours to walk through. It tells the story of civil rights in Mississippi beginning in 1865 and ending in 1970. There are some videos that are not suitable for children, but they are hidden behind walls with warning signs. The other interactive exhibits (for example, a schoolhouse) are suitable for and interesting to children. The central rotunda is a perfect resting place for families to reflect on the This Little Light of Mine sculpture and surrounding quotes, and listen to recordings of the hymn by the same name.

The first two exhibits, “Mississippi’s Freedom Struggle” and “Mississippi in Black and White,” start with the Reconstruction and highlight the eagerness of black Mississippians to build businesses, schools, and churches. They end on an ominous note as Jim Crow laws begin to erode equality under the law and segregation spreads.

The middle exhibits, “A Closed Society” and “A Tremor in the Iceberg,” focus on the period during World War II and after, telling how the Civil Rights Movement became more established and began to employ additional methods beyond voter registration and legal challenges to push for rights. Some of these methods included Freedom Rides, Sit-Ins, and other nonviolent protests. Interspersed throughout are plaques recounting both violent episodes and courageous figures, “Points of Light,” who supported rights for their fellow Americans at great personal cost.

The final three exhibits—“I Question America,” “Black Empowerment,” and “Where Do We Go from Here?”—continue to tell the story of the brutal treatment that many civil rights advocates received. The museum ends on an uplifting note, however, highlighting the progress that black Americans made in Mississippi and sharing the wisdom of civil rights leaders through a room of mirrors and quotes.

This museum, like any museum, is not perfect. For example, the treatment of human rights at the entrance of the museum is a little shallow and vague, but that is also understandable given the age range of the audience. The museum could be improved by exploring the creative ways that black entrepreneurs worked around the unjust laws (such as the banning of midwifery, targeted at black midwives) that prevented them from competing equally in the market.

Overall, though, the museum is accurate and comprehensive. It tells the story of Americans young and old, black and white, male and female who fought for genuine rights for black people in Mississippi.

The museum tells the story of many effective and courageous political activists, without straying into modern politics. It focuses on genuine human rights and abuses of these rights, while emphasizing our unity as a nation. For example, the large pillars in the rotunda read: “Friends Came to Help,” “We Sing for Freedom,” and “We All Have a Light.”

There is no apparent political bias. Rather, there is a strong sense of pride in America and Mississippi. The exhibits urge visitors to focus on personal responsibility, light, and courage, rather than despairing about injustices.

The Mississippi Civil Rights Museum is family friendly insofar as possible given the subject of civil rights. Exhibits or recordings that are not suitable for children are hidden behind walls with warning labels so parents with young children can be cautioned. The subject matter of the museum is naturally heavy, and children who can read will be exposed to tragic episodes in American history, although the descriptions of violence or injustice are never gratuitous.

Parents with younger children may want to have conversations before and after about the subject matter. Nevertheless, it is important to expose children to the truth of history so that they are ever more aware of the “line between good and evil” that runs through every heart, including their own.

This museum tells the story of Civil Rights in Mississippi, beginning with the end of slavery and ending in the 1970s. Some of the figures discussed are Medgar Evers, Fannie Lou Hamer, and Vernon Dahmer, and there are quotes from well-known leaders such as Martin Luther King, Jr., throughout the exhibits. The experience of racial violence and discrimination in Mississippi is a tragic chapter in its history, and the museum catalogues it by naming the hundreds of victims of lynchings, documenting the unjust legislative acts and abuses of police power, such as intimidation and violence at the voting booth, and reminding viewers of the social stigma attached to fighting for civil rights at this point in history, among other things. While education is highlighted as something particularly prized by civil rights leaders, the schoolhouse exhibit illustrates the shorter school year, larger class sizes, smaller number of books, and lower graduation rates of black schools compared to those with white students under segregation. The visitor is invited to reflect upon the enormous progress that has been made in living memory regarding the civil rights of black Mississippians.

This museum pays special attention to the efforts of Mississippians, “ordinary men and women who refused to sit silently while their brothers and sisters were denied their basic freedoms,” which distinguishes it from other civil rights museums in different parts of the country. Additionally, the role of black churches was critical to the fight for civil rights, and this museum emphasizes the importance of faith and religious communities in a unique way.

Owned By: The State of Mississippi

Operated By: Michael Morris (Museum Director)

Government Funded: Yes

Did you know?

Oseola McCarty was a Mississippi washerwoman who meticulously saved for her entire life to establish a scholarship to The University of Southern Mississippi for impoverished black students, becoming the university’s most famous benefactor.

Recommended Reading

  • Letter from a Birmingham Jail by Martin Luther King, Jr.
  • Black Liberation Through the Marketplace by Marcus Witcher and Rachel Ferguson
  • Time on the Cross by Robert Fogel and Stanley Engerman

Reviewed By

Clara Piano

Visiting Assistant Professor at the University of Mississippi

The opinions expressed above are those of the Reviewer who is providing a good-faith historical assessment to educate the public. Reasonable opinions can vary, and the Reviewer’s opinion is not necessarily the opinion of The Heritage Foundation or its affiliates.

 

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